Flaunt your
Curves

MCM stands for Modified Clay Material. It is a cladding made from coloured inorganic mineral powder — clay-based — blended with a high-performance water-based polymer modifier, then cross-linked and shaped by microwave irradiation. The result is a thin, lightweight sheet that carries the texture and colour of fired clay or natural stone but bends cold around a curve.

Finished thickness is 2.5–3.5mm depending on the collection, and weight is approximately 4.5 kg per square metre. For comparison, a 25mm natural stone slab weighs roughly 55–65 kg per square metre, so the same elevation carries under a tenth of the dead load.

The limit is quoted as a diameter: the tightest circle the sheet forms cold is 381mm — 15 inches — across, which is a 190mm radius. In practice that means it wraps any circular column of 381mm diameter or more, plus arches, barrel vaults, coves and curved reception fronts, with no heat, scoring or relief cuts. Vertically corrugated collections such as Ripple Stone and Liner Stone handle the tightest end best, because the corrugation absorbs the compression on the inner face. Below 381mm diameter, and on a sharp external arris, the bend is outside what the material will do — those need a radiused substrate or a conventional mitre.

Yes — Level A1, the highest non-combustible classification. That is what makes it usable on high-rise elevations, escape routes and protected stair cores where combustible cladding is not permitted.

Yes. It is waterproof, UV stable so a south or west elevation holds its colour, and fungus and algae resistant, which matters on a north wall through the monsoon. It is also freeze-thaw resistant, so it is suitable for hill-station projects.

As an indicative supply rate, ₹350–₹450 per sq ft, supply only, ex-Bengaluru. Where a project lands in that band depends on the collection, the pattern variant and the quantity. The figure worth comparing is the installed cost, not the material rate: there is no support frame, no structural allowance, no wet cutting and far less labour, which typically brings the total below a natural stone equivalent even where the material rate is similar. Send us your area and collection and we will come back with a written quote.

Regular pattern repeats a uniform face across every sheet, so veining and coursing align tile to tile — useful for book-matched effects and for tight, controlled walls. Random pattern varies the face sheet to sheet so no repeat is visible, which is what makes a large wall read as genuinely quarried. Above roughly six square metres, Random is usually the better call.

Maintenance is washing down with water. There is no sealing cycle, no annual oiling and no re-grouting, because the colour is mineral pigment through the body rather than a surface coating, and there are no grout lines to discolour.

Yes. Tell us the collections you are considering and we will send physical samples — worth doing before committing, because relief textures and dual-tone veining behave differently under a project's actual lighting than they do in a photograph.

We have two branches in Bengaluru — Jayanagar 9th Block and Begur — and supply across Karnataka, Tamil Nadu, Telangana, Kerala and Andhra Pradesh, with despatch to the rest of India on request.

Yes. Light passes through the body, so a panel lit from behind glows rather than staying flat — the effect people associate with backlit onyx, at a fraction of the weight and cost. Mount an even LED panel or a diffused strip array behind it rather than point sources, which show as hot spots through a 3mm sheet. Pale shades transmit most; dark ones read as a subtle halo at the joints. It works on façades, bar and reception fronts, and printed feature panels.